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Concert review for “Just Made It Up” — Clayton News-Star newspaper (2004) Power of Improvisation P3 returns to packed Coffee Mill by popular demand After the trio P3 played its first number to a packed house at The Coffee Mill in Clayton on Saturday, guitarist Paul Barton made the comment, “That first song was called… ‘We Just Made It Up.’” Most of the songs in the group’s nearly two-hour set were made up. Barton joked that each song would be called “We Just Made It Up, Part 1, 2, 3, etc.” P3, or P-Cubed, as they sometimes like to call themselves, were back at the coffeehouse by popular demand. What began as a last-minute improptu jam could turn into a regular gig, based on the crowd reaction from Saturday’s show. Patrons tapped their feet, drank beverages and enjoyed desserts as Barton, bassist Paul Kollar and drummer Phil Wylie showed off their improvisational skills with amazing results. The show was recorded by Barton for possible future release on his Studio 415 label. It was rock, jazz, blues and fusion all wrapped up in a not-so-neat, but great-sounding, package — as interesting as the events that led the group (each member’s name begins with P) to form just a month ago. Kollar, originally from Cleveland, Ohio, was part of St. Elmo’s Fire, a progressive-rock outfit in the late 1970s and early 80s. The group only released one album, a live CD, in 1998, and one studio CD in 2001, of which Wylie played on. The band was at times compared to King Crimson. Kollar and Wylie also played in a later band, Brain Forest, and released two CDs in the mid 90s. Rick Maness, a keyboard player who used to play in Brain Forest, introduced Kollar to Barton a year ago. “We kicked around the idea of forming a cover band,” Kollar said. “That didn’t jell, so we bagged it.” About a month ago, Barton received a call from Coffee Mill co-owner Cliff Morgan asking him if he could come up with a show as a last-minute replacement. That call came three days before the actual show date. “I agreed, and then I wondered, ‘I don’t have two hours of material on my own,’” said Barton, an accomplished musician and owner/producer at Studio 415. “So I started calling musicians. It was almost like a happy accident.” Kollar and Phil Falco were the first two musicians Barton called. They rehearsed for a couple of days and then played the show to positive numbers and crowd response. “The first time they played, I didn’t know what to expect,” Morgan said. “They blew me, and everyone else, away. That says a lot about these guys that they can just pick up instruments and jam because they are so good. I wanted to have them back.” Because Falco had commitments with his band, No Dice, he couldn’t rehearse with the band for Saturday’s performance, so Barton contacted Wylie, a Charlotte native now living in Raleigh. Wylie, who has been involved in music since he was 11, has played jazz and blues and brings what he calls a ‘melodic textural approach’ to the tunes. “I am a big fan of melody,” said Wylie, whose fusion style has been influenced by John Bonham (Led Zeppelin), Stewart Copeland (The Police) and Bill Bruford (Yes, King Crimson). P3 in concert is literally a work in progress, mostly jazz/rock/fusion and mostly instrumental. They pretty much make it up as they go along. “It’s 80 percent improvisation and 20 percent half-baked ideas,” Kollar said. Wylie added, “It’s the spirit of exploration, which is why I like jazz so much. You just play and explore new territory, and hopefully, something cool will happen.” – Jim Green, Staff Writer |
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Exposé Magazine, Issue #28 (USA) P3 is an improvising rock trio of guitar, bass and drums, featuring two guys named Paul and another named Phil. One of the three is Paul Kollar of “Subtle Matter” and St. Elmo’s Fire fame, and like the title suggests, the six tracks herein are on-the-spot spontaneous compositions. The band follows a road that's already well traveled by bands like Maximum Indifference, Djam Karet, Quarkspace and Escapade, and although these pieces are claimed to be improvisations, they do indeed sound like they’ve been rehearsed a time or two, to the point where at the very least a direction and purpose seems to be clear, even if the exact path to that end is not. The sound leans a bit to the psychedelic side, where reverb drenched effects and spirited soloing reign free, with touches of groove fusion, funk and blues. Following a strong early 70s vibe, the band features a heavy bass drive and powerful, soaring guitar work, with solid drumming to hold it all together. It’s a crowded field, but these guys do it very well, and spend a lot more time airborne than a lot of their peers. Overall, an outstanding first effort that should satisfy the appetite of those hungry for a free-wheeling rock sound that finds it way easily through the pitfalls and traps that can so often drag projects like this down. – Peter Thelen |
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Wayside Music capsule review (USA) This is a professionally packaged, self-released CD. It features bassist Paul Kollar (from St. Elmo’s Fire), guitarist Paul Barton and drummer Phil Wylie, all tearing it up live at a coffeehouse in Clayton, NC! This is 42 minutes of improvisationally oriented, jammy fusion, which has excellent interplay between all the musicians. The music is quite top drawer. The sound is pretty good live, but a bit boxy, and it is packaged simply. Still, it’s over 40 minutes of very good music for $10.00. |